To deteriorate and rusting would soon take The condition of the paintwork would start
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Our idea is to depict the vehicle after test Us this is perfect because we can be creative Was never actually put into production and These techniques we will be using a vk 4502 Riety of vehicles, machines, and equipment Hicle, but would also be seen on huge va. Not only be seen on a tank or armoured ve. In our first article we want to show how toĬreate a number of rust effects that would THE WEATHERING MAGAZINE / GREATEST HITS Vol. Model and Photos Mig JimenezText John Murphy A true labor of love, enjoy this middle-east masterpiece.Ħ / THE WEATHERING MAGAZINE / GREATEST HITS Vol. Cap-tured by the Iraqis and complete with Hezbollah markings. Mig Jimenez fulfills his ambition to build one of his favorite subjects, a T-69 C, cir-ca 1980s, during the Iran-Iraq war. SOVIET SPIRITWu Bayin encompasses the Soviet Spirit aggressive, powerful.and dirty with his portrayal of a weather-beaten Su-100 self-propelled gun.
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Mig Jimenez explains us how to paint a very rusty what if tank.ĭEEP ROOTS, SCALE TREESNeed a tree for your scene or vig-nette? Javier Soler shows the te-chniques, tools and materials to easily make a variety of realistic scale model trees. USING WORN EFFECTSWWII Japanese fighter planes are well known for their heavily worn paint finishes that can be hard to replicate, thankfully Jamie Haggo is here to help. TYPE 69 II CArtistry and ice are showcased in this spectacular diorama by Jean-Benard Andre where he masterfully blends technique and emotion to portray the story of an icebound submarine. SPACE DUSTOur great friend from Japan, Lincoln Wright explains his techniques in one of his machines. Quarterly / THE WEATHERING MAGAZINE / GREATEST HITS Vol. Styling & Community ManagerElizabeth WieseĬollaboratorsMig JimnezJohn MurphyJamie HaggoLincoln WrightWu BayinJavier Soler Over time, both your resources and your skills will grow giving you confidence in creating your own beautiful scale model masterpieces.įrom the staff of The Weathering Magazine we trust that you will enjoy this Greatest Hits look at our magazine.
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Maybe you are creating a muddy road for a diorama, Issue 5, The Mud Issue, is full of helpful techniques. Perhaps you are looking for a little help creating a dusty surface simply flip through the pages of Issue 2, The Dust Issue. But, more than just another collection of beautiful images the Weathering Magazines thematic issues allow you to build an impor-tant and useful reference library. The processes, techniques and tools are well documented throughout each article with clear photos and concise cap-tions ensuring that you will easily understand and incorporate these ideas in your own work. Within each issue you will be treated to stunning examples as presented by some of the worlds most accomplished and recognized modelers. In the past we have explored Dust, Rust, Snow, Mud and Water just to name a few. Our magazine explores the natural elements and special themes in a com-plete, issue-by-issue approach with each issue being specifically devoted to a particular topic. Our goal is to help modelers be successful in every aspect of modeling from the opening the box to the final presentation. And why do we do this? Because we know that it can be very disappointing to invest a lot of time and talent into building the perfect model only to be let down at the end due to poor painting and weathering. And, while we appreciate every aspect of scale modeling, we choose to focus primarily upon the final finish. As the name indicates, the focus of The Weathering Magazine is the finish, and when we talk about finish we are speaking primarily of replicating the effects of Mother Nature on our models. The concept behind The Weathering Magazine is simple inspire by showing models finished to the highest level and then explain the te-chniques and methods used to create these scale-model masterpieces. Welcome to this Greatest Hitsissue of The Weathering Magazine, a special edition sampling of articles chosen from the magazines two year history. It is in this same spirit of community, the sharing of ideas and techniques that brought into life The Weathering Magazine. And although our hobby tends to be solitary, ask any modeler what aspect of the hobby that they enjoy the most and they often answer that it is the socialization the club nights, the shows and contests - the sharing of ideas and the camaraderie found in the company of like-minded individuals discussing modeling. Most of us spend hours at our workbenches, usually alone, working to bring some measure of reality to the bits of plastic and jars of paint that lay across our tables. I t comes as no surprise to us as modelers that this hobby can be, and usua-lly is a very solitary pursuit.